Saturday, December 28, 2019
Cartoon Violence - 880 Words
Cartoons on a television are glue to children. Children will spend hours a day watching their favorite cartoons, such as ââ¬Å"SpongeBob SquarePantsâ⬠or ââ¬Å"Adventure Time.â⬠Unfortunately, the content on these shows, and several others, can harm children. Directly, cartoons can affect how children think and act; additionally, this leads to the indirect effect of children physically hurting one another. Children daily see hundreds of violent acts on television. Most parents notice the obvious acts of gore and try to avoid those types of shows; however, what parents do not realize is that cartoons contain just as much, if not more, violence per episode. When parents see shows such as ââ¬Å"SpongeBob SquarePants,â⬠for example, they seem more comicalâ⬠¦show more contentâ⬠¦Therefore, the children that do become used to the violence do not realize how much they are absorbing, and are thus more likely to keep watching and increase the damage already inflicted onto their minds. Additionally, younger children who watch violent cartoons tend to believe they can mimic what is on screen. A news story in China where children attempted to mimic their favorite cartoon with near fatal consequences reads: ââ¬Å"The Li brothersââ¬â¢ tragedy began one fine April afternoon with a bit of play-acting. When 10-year-old Shun Shun ran into eight-year-old Li Haoran and his little brother Li Hao, four, just outside of their village of Mawang, near Lianyungang in Jiangsu province, the three friends decided to play a game. They would act out the big wolf roasting the lamb ââ¬â an idea the boys later said they got from the popular childrenââ¬â¢s television series Pleasant Goat and Big Big Wolf. Taking the role of wolf, Shun Shun used some scrap cloth he found nearby to tie the two brothers to a tree. After piling some dried leaves around their feet, he set it alight. Within minutes, strong gusts of wind blew the fire out of control. The terrified Shun Shun ran away, leaving the Li boys screaming for help. A passing villager heard their cries and rushed to help. But by the time flames were put out, the brothers were severely burned. The boys were rushed to the county hospital and transfe rred on the same night to a city hospital, which had better facilities. For a month, itShow MoreRelatedHow Cartoon Violence Effect The Youth As An Audience?853 Words à |à 4 PagesEric Marinello COMM 2500 12-4-15 Three-Part Research Project Part I: Research Question: How does cartoon violence effect the youth as an audience? Work Cited Coyne, Sarah M., and Emily Whitehead. Indirect Aggression In Animated Disney Films. Journal Of Communication 58.2 (2008): 382-395. Film Television Literature Index. Web. 27 Oct. 2015. Kirsh, Steven J., and Paul V. Olczak. Violent Comic Books And Perceptions Of Ambiguous Provocation Situations. Media Psychology 2.1 (2000): 47-62. FilmRead MoreA Rhetorical Analysis of Editorial, ââ¬Å"the Effects of Violence in Childrenââ¬â¢s Cartoonsâ⬠947 Words à |à 4 PagesOctober 03, 2012 A Rhetorical Analysis of Editorial, ââ¬Å"The Effects of Violence in Childrenââ¬â¢s Cartoonsâ⬠Claim: That childrens cartoons today are too violent and that these cartoons are greatly affecting their behaviors growing up. That violence is a learned behavior and therefore children that view violence can become violent themselves. The purpose of the argument is to raise the awareness about cartoon violence and come up with some solutions to lessen its negative impact on the childrenRead More Cartoon Violence, Has it gone too Far Essay852 Words à |à 4 PagesCartoon Violence, Has it gone too Far Aggression. Killing. Revenge. Sound like the latest Scream movie or Keanu Reeves thriller? You may be surprised to hear that this describes the average Saturday morning cartoon. One of the most surprising facts is that the level of violence during Saturday morning cartoons is higher than the level of violence during prime time. There are 3 to 5 violent acts per hour in prime time, versus 20 to 25 acts per hour on Saturday morning (Gerbner,1). ViolenceRead MoreViolence in Cartoons Essay724 Words à |à 3 PagesViolence in Cartoons In my opinion, there is an extreme amount of violence portrayed in cartoons. As a result, cartoons have been transformed into a fast expanding epidemic that is damaging to the audience of cartoon viewers throughout the country, and possibly around the world. Not only are cartoons physically violent, they are emotionally, mentally, socially, legally, and culturally attacking at human society of the past, present and future. During my extensive research, things that wereRead MoreEssay on cartoon violence779 Words à |à 4 Pages Animation Violence nbsp;nbsp;nbsp;nbsp;nbsp;Children from the ages 6-11 spend more time watching television than they do in the classroom. The ââ¬Å"renaissance of TV animationâ⬠has undoubtedly led to more violent cartoons then ever before. But to talk about cartoon violence, it must first be defined. Websterââ¬â¢s Dictionary defines violence ââ¬Å"as the act (or threat) of injuring or killing someone.â⬠(Webster) And although the violence is not real, a child does not know the difference. Throughout theRead MoreA Critical Research on the Themes of Violence and Drugs in Cartoons1150 Words à |à 5 PagesIntroduction: Historically, cartoons have always evolved along two different paths. Because the potential for silliness, absurdity and unreality are magnified by the possibilities of animation, cartoons are accurately thought of as being perfect for the elastic and growing mind of children. 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Now since 2010 he has been drawing cartoons for the Spanish magazine El Jueves. In 2012, Fracasa Major was published, a selection of Joan Cornellà black-and white cartoons which took him two years to make. And in 2013 Joan Cornellà published this third album Mox Nox. Mox Nox I have to say is what really what caught people attention to this artist. NowRead MoreThe I rish Declaration Of Independence873 Words à |à 4 PagesThe cartoon above is called ââ¬Å"The Irish Declaration of Independence that We Are Familiar Withâ⬠published in 1883 by Frederick Burr Opper. Opper is regarded as one of the pioneers of American newspaper comic strips, best known for his comic strip Happy Hooligan. His comic characters were featured in magazine gag cartoons, covers, political cartoons and comic strips for six decades. The magazine this cartoon is featured in was called Puck Magazine. 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